Home
About
Festival Manifesto
Jury, Critics & Curators
Honours & Distinctions
Rules & Regulations
Vexhibitions
2023 [ TBA ]
2022 [ Now Closed ]
Results
2023 [ Now Available ]
Winners & Honourable Mentions
Finalists / Nominees
Semi-Finalists
Quarter-Finalists
2022 [ Under Maintenance ]
Press
2023 [ Now Available ]
Jury Feedback
American Cinematographer
MovieMaker Magazine
2022
American Cinematographer
MovieMaker Magazine
submit
FilmFreeway
Contact
info@climaxfilmfest.com
Home
About
Festival Manifesto
Jury, Critics & Curators
Honours & Distinctions
Rules & Regulations
Vexhibitions
2023 [ TBA ]
2022 [ Now Closed ]
Results
2023 [ Now Available ]
Winners & Honourable Mentions
Finalists / Nominees
Semi-Finalists
Quarter-Finalists
2022 [ Under Maintenance ]
Press
2023 [ Now Available ]
Jury Feedback
American Cinematographer
MovieMaker Magazine
2022
American Cinematographer
MovieMaker Magazine
submit
FilmFreeway
Contact
info@climaxfilmfest.com
Lynchland
Conjoining Optical Unconscious, Mythopoeia & Dystopian Opportunities.
1 · FRIDAY MORNING WHEN DANIELE SEEMS DEAD (Taiwan) · Yang Chao Hao
2 · PERFECT STORM (New Zealand) · Morag Brownlie
3 · DEVOID (UK) · Matthias Von Braun
Home
About
Festival Manifesto
Jury, Critics & Curators
Honours & Distinctions
Rules & Regulations
Vexhibitions
2023 [ TBA ]
2022 [ Now Closed ]
Results
2023 [ Now Available ]
Winners & Honourable Mentions
Finalists / Nominees
Semi-Finalists
Quarter-Finalists
2022 [ Under Maintenance ]
Press
2023 [ Now Available ]
Jury Feedback
American Cinematographer
MovieMaker Magazine
2022
American Cinematographer
MovieMaker Magazine
submit
FilmFreeway
Contact
info@climaxfilmfest.com